Representing National Identity and National Film Studies Past Essay
This research suggests that studies of national identity should not be limited to examining essentialist claims of ethnonationalism, or bourgeois attachments to laws and institutions, but should also examine those who identify the citizens of a particular country as the embodiment of their national identity. National identity is a complex concept that includes the following components · 1. A subjective belief of self-categorization as to which country one belongs to. 2. A strong sense of national belonging as part of the individual's identity. 3. Emotions positive or negative towards the nation. 4. Drawing on the theoretical concepts of imagined communities Anderson, 2006, public sphere Habermas, 1962 1991, and muted groups Kramarae, 1981, this essay looks at issues of identity and identity. Estonian films could be called a new playground for the representation of national identity. As one scholar notes, Estonia's film industry, financially supported mainly by national foundations, was originally aimed at a domestic audience but has evolved into a cultural tool that conveys the image of the country it wants. is a strong, unbreakable relationship, both influence each other in some way, and each person is influenced by this relationship. Our language and. He shows that through allegorical representations, these directors confronted and challenged reassuring historical narratives and notions of national identity, intended to assuage public anxieties in the aftermath of national trauma. Borrowing elements from art cinema and the horror genre, these directors broke the boundaries between,