Futurism and its criticism in the work of Mina Loy essay
This chapter examines case studies in which Mina Loy, Benedetta Cappa Marinetti, and Marisa Mori engaged with or activated such metaphors in their work. It questions why women resort to such language and examines the feasibility of such strategies in claiming the value of women's labor today. Download chapter PDF.~ Mina Loy experimented with different literary forms. During her lifetime she published poetry, plays, essays, pamphlets and letters. Her best-known short prose works appear in The Lost. In his essay, “Mina Loy's Deconstructions of Modernity,” Grzegorz Czemiel writes that in poetry Loy “gives a greater sense of the scope of life and its possibilities, a sense of the grotesque, of carnival, and of anger, sensuality, and sexuality.” 1 Many scholars have offered similar readings of her poems, including Peter. This article examines Mina Loy's early poems Virgins Plus Curtains Minus Dots 1915 and The Effectual Marriage in light of recent theories that read social and built space as. Mina Loy, - was a brilliant English-born poet, playwright and artist. Light years ahead of her time, she was praised by her peers for her in-depth analyzes of the female experience in early twentieth-century Western society. She was associated with other great minds and literary innovators of Loy's artistic and theoretical shift from futurism to Dada, from the alliance with Duchamp to the intimacy with Stein, see Carolyn Burke, 'Dada through the Looking Glass, or: Mina Loy's Objective, Women in Dada: Essays on Sex, Gender, and Identity, edited by Naomi Sawelson-Gorse MIT P, 1998 578-612. She produced work until her death, not only poetry, but also prose, including her only novel Insel, and art. She exhibited and sought publication, but became increasingly reclusive later in life, largely unknown to the wider world before Carolyn Burke's biography Becoming Modern: The Life of Mina Loy was published..